嘉莉妹妹讀后感。

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嘉莉妹妹讀后感 篇1

Having read the book Sister Carrie written by Theodore Dreiser,a very complicate feeling struck me,for the society,the people in America in the late 19th century.We can see clearly about the decadent and hypocritical moral principles of the bourgeois.They pursue only position,authority and money.Pleasure is their honest companion.

The society was developing rapidly and the people's living standards were also improving.Yes,the prosperity appeared.But on the other hand,the gap between the poor and the rich was strengthened.While some people were playing and drinking,the other people were working,even begging.Behind the happiness,hiding much misery.Facing all of these,I am confused whether I should happy about the development of the society or I should sad about the cruel.

But I know I will give much sympathy to all of these people,no matter they rich or poor.I am sorry that the rich have lost their good morality,their sympathy and I think they are blank in their spiritThe poor,of course,are busy all the day for supporting themselves and their family,no time enjoying the life.All of them are the sacrifices of the society.

In this book,,only Sister Carrie can present us all of these.At first,she was poor.She had to work hard,but only made ends meet.She admired the pleasure, quick to understand the keener pleasures of life, ambitious to gain in material things.You know, Of an intermediate balance, under the circumstances, there is no possibility. The city has its cunning wiles, no less than the infinitely smaller and more human tempterTheir beauty, like music, too often relaxes, then wakens, then perverts the simpler human perceptions.Then, not only did Carrie feel the drag of desire for all which was new and pleasing in apparel for women, but she noticed too, with a touch at the heart, the fine ladies who elbowed and ignored her, brushing past in utter disregard of her presence. She realized in a dim way how meant for women, and she longed for dress and beauty with a whole heart.Her craving for pleasure was so strong that it was the one stay of her nature.

She would speak for that when silent on all else.As a result,she left her sister,following Chas.H.Drouet,a salesman.So she has the beautiful room,has the satisfied dress and so on.For a pereid of time,she was happy and satisfied.But drived by the desire,Sister Carrie wants more. In Carrie-as in how many of our wordings do they not?

instinct and reason, desire and understanding, were at war for the mastery. She followed whither her craving led. She was as yet more drawn than she drew.When she went to the theatre with Drouet that spectacle pleased her immensely. The color and grace of it caught her eye. She had vain imaginings about place. and power, about faroff lands and magnificent people. When it was over, the clatter of coaches and the throng of fine ladies made her stare. CARRIE WAS AN APT STUDENT of fortunes ways-of for Times superficialities. Seeing a thing, she would immediately set to inquiring how she would look, properly rated to it.

Be it known that this is not fine feeling, it is Not wisdom. The greatest minds are not so afflicted; and On the contrary, the lowest order of mind is not so disturbed. Fine clothes to her were a vast persuasion; they spoke tenderly and Jesuitical for themselves. When she came within earshot of their pleading,desire in her bent a willing ear. The voice of the socalled inanimate!If we can say,then she falls in love with Hurstwood,maybe pursuits something in spirit which cannot get from Drouet who seeks the enjoy all day and only cares about himself.With the developing of the story,we can see Carrie going through some difficulties,eloping with Hurstwood.But at last,in New York,Carrie became an actress by chance and turned out to be one of New York's most popular actresses.Nevertheless,she was not quite happy but felt lonely and void.To the result,I am thinking,maybe this is inevitable.This is the fate in that society.

In the novel,too much gave me a deeply impression,especially the enormous change of Hurstwood.From the manager of a saloon to a beggary,Hurstwood had stolen money from the safe in order to elope with Carrie,but finally committed suicide.What is the reason,who is wrong.Perhaps nobody knows,we cannot say Carrie or his families leading to this.Maybe this is the so-called destiny.But still seems to some deceiving ourselves.

Let us have a look at the other people,the families of the Hurstwood,his wife and daughter,only love the vanity and seek the pleasure.They are cold and selfish.We cannot find the happiness that belongs to a family,Hurstwood cannot feel the warmAnother person,Drouet, He loved fine clothes, good eating, and particularly the company and acquaintanceship of successful men.He has vanity and ambition. He might suffer the least rudimentary twinge of conscience in whatever he did, and in just so far he was evil and sinning.He also loves women. Drouet had a habit, characteristic of his kind, of looking after stylishly dressed or pretty women on the street and remarking upon them. He had just enough of the feminine love of dress to be a good judge-not of intellect, but of clothes.

He saw how they set their little feet, how they carried their chins, with what grace ands sinuosity they swung their bodies. A dainty, self-conscious swaying of the hips by a woman was to him as alluring as the glint of red wine to a toper. He would turn and follow the disappearing vision with his eyes. he would thrill as a child with the unhindered passion that was in him. He loves the thing that women love in themselves, grace. At this their own shrine, he Knelt with them, an ardent devotee.He lost the higher dreame.

No matter the result of these people is good or bad,I will feel sorry for them.They are the sacrifices of the society.We cannot only regard these as the destiny.Something else has led these.Of course, we also cannot say it is the fault of the developmental society.Maybe what we can do is keep ourselves with our best.

嘉莉妹妹讀后感 篇2

Carrie was such an ordinary rural girl at the beginning of the story. Sitting on the seat of a bus, she couldnt help feeling exciting at the sight of the metropolis spectacle. She was impressed deeply by large crowd on the avenue, the spacious square or tall buildings.

Far more different from other heroines, Carrie was not a plain pure angel like Snow-white, nor was she brave enough to be a heroine of revolutionist or even a reformer, nor was she so clever as to be a successful career woman who start from scratch.

What attracted her most, after her entering this huge metropolis was the incredible fineries, fashion shoes, smart handbags displaying in the shop windows, the jewellerys shining brightly behind the glass. She dreamed that one day, she could wear all of these, jogging gracefully into the most luxurious hotel with focused sights of admiration.

And this was not merely a dream. Because she had large eyes which can earn others sympathy, even love. She had wonderful figure which can win others hearts. However, anything she got, anywhere she reached, had not come from her ambition. Things happened, and then she accepted. Thats what she had just done just to accept willingly from the bottom of her heart. She was not at all an evil woman who would give anything for the fortune or fame. However, she would give uo something for a better life when her instinct defeated her intellect.

That was Carrie, a girl had her own desire, a human being just like many others in the realistic world.

Theres one sentence written in chapter VIII: When this jangle of free-will instinct shall have been adjusted, when perfect understanding has given the former the power to replace the latter entirely, man will no longer vary. However, how many people can go that further.

And I want to quote another sentence to wind up my essay:

In Carrie as in how many of our wordings do they not? instinct and reason, desire and understanding, were at war for the mastery.

嘉莉妹妹讀后感 篇3

前幾天，媽媽為我買了一本《嘉莉妹妹》，讀了它，我仿佛對(duì)社會(huì)有了一定的了解。它告訴我：現(xiàn)實(shí)社會(huì)是非常殘酷的，沒(méi)有我想象中的那樣簡(jiǎn)單，它是一個(gè)非常復(fù)雜的東西。不信？那就讓我們一起走進(jìn)嘉莉妹妹的生活中去吧。

書中塑造了這樣一個(gè)人物，描述了這樣一個(gè)故事：嘉莉懷著對(duì)大城市物質(zhì)生活的向往，獨(dú)自離家闖蕩。首先，她住在表姐敏妮家，嘗盡苦衷。后來(lái)，她以自己的美貌博得了推銷員杜洛埃的愛(ài)慕，成為他的情婦，逐漸變成了一個(gè)揮金如土的闊太太。又由于更大的誘惑跟著酒店經(jīng)理赫斯渥私奔，由于當(dāng)時(shí)失業(yè)的人居多，赫斯渥的酒店也散伙了，工作難找，于是晃蕩在家，想靠著嘉莉掙的微薄工資來(lái)維持生活。在一次偶然的機(jī)會(huì)中，嘉莉竟然成了走紅的演員，倍受關(guān)注，薪水豐厚，擠進(jìn)了上流社會(huì)，并拋棄了家庭逐漸貧困的赫斯渥，以不自覺(jué)地殘忍將他推上了絕望之路。

故事揭露了資本主義社會(huì)繁榮表面底下的失業(yè)、貧困和饑餓，對(duì)美國(guó)貧富對(duì)立的社會(huì)作了深刻的描寫。只有有本事的人將來(lái)才能有所作為，才有膽量跟別人競(jìng)爭(zhēng)，才可能有豐厚的薪水，不至于失業(yè)。天啊，現(xiàn)實(shí)社會(huì)就是那么殘酷！知識(shí)，是一筆無(wú)法掂量的財(cái)富，也是一筆無(wú)形的財(cái)富，成功之神絕不會(huì)把燦爛的霞光灑向想不勞而獲的人，而給那些有知識(shí)，有膽識(shí)的人。我堅(jiān)信，如果你有了一定的知識(shí)和膽識(shí)，是絕對(duì)會(huì)得到成功之神的眷顧的！

謹(jǐn)記：不爭(zhēng)饅頭爭(zhēng)口氣，將來(lái)好要靠自己。我以后一定好好學(xué)習(xí)，天天向上，做一個(gè)有知識(shí)，有膽識(shí)的人；更要做一個(gè)對(duì)社會(huì)有用的人。今天是祖國(guó)的花朵，明天成為祖國(guó)的棟梁。

嘉莉妹妹讀后感 篇4

讀《嘉莉妹妹》讀后感1000字：

第一次在一周還是兩周的時(shí)間里讀完了一本長(zhǎng)篇小說(shuō)——《嘉莉妹妹》

首先是女主嘉莉，從哥倫比亞，背井離鄉(xiāng)去投奔遠(yuǎn)在芝加哥的姐姐，一個(gè)初入社會(huì)的，單純的，毫無(wú)社會(huì)經(jīng)驗(yàn)的小姑娘，初入大城市，一切對(duì)她來(lái)說(shuō)都是那么美好。可她的姐姐姐夫似乎對(duì)于妹妹的來(lái)訪并沒(méi)有那么高興，她們擔(dān)心的只是嘉莉會(huì)是他們的生活開(kāi)銷更大，不能理解，妹妹拜訪親姐姐，居然還要付房租，他姐夫更是在她到后幾天，就要求她去找工作，而她姐姐更是一個(gè)典型的家庭主婦，對(duì)丈夫的一言一行都唯命是從，她已經(jīng)沒(méi)有自己的主見(jiàn)了。

嘉莉?qū)τ谒憬慵业纳顦O其失望，另一方面又禁不住杜埃洛的誘惑，在他的鼓動(dòng)下，她離開(kāi)了姐姐，在杜埃洛那，她過(guò)著衣食無(wú)憂的生活，也接觸到了赫斯渥，并且把兩人做對(duì)比，自然而然的對(duì)赫斯渥產(chǎn)生了好感，在杜埃洛外出工作時(shí)，兩人情投意合，甚至幽會(huì)，或許真的是，得不到的永遠(yuǎn)在騷動(dòng)，赫斯渥漸漸不滿妻子的種種，同時(shí)也越來(lái)越渴望得到嘉莉，接著，家庭矛盾越來(lái)越突出，或許人們總是把別人對(duì)自己的好忽視了，甚至認(rèn)為是理所當(dāng)然的事。在她被赫斯渥騙去紐約之后，仍舊過(guò)著無(wú)憂無(wú)慮的生活，新的環(huán)境使嘉莉忘了自己似乎被欺騙了，并逐漸接受了，…在赫斯渥敗光了拿走的一千多塊錢的時(shí)候，嘉莉被迫出門找工作，也就這樣，她才得以有機(jī)會(huì)成為喜劇界的大紅人，才真正有能力做自己想做的事，想過(guò)的生活，才有機(jī)會(huì)接觸更優(yōu)秀的人——萬(wàn)斯夫人的表兄弟，艾姆斯，有著與常人不同見(jiàn)解的有頭腦的年輕人。

從嘉莉的一生看來(lái)，我覺(jué)得，首先，人應(yīng)該多出去走走，見(jiàn)見(jiàn)外面的世界，其次，要有獨(dú)立思考能力，盡管前兩位男士都為她提供了舒適的溫室，但她自己的思想一直都在，知道自己生活的意義，反思自己所向往的究竟是什么，第三，果斷，在她看透赫斯渥已慵懶成性時(shí)，她果斷搬出去和小蘿莉住，四，女人這一生，總得為自己做些打算，無(wú)論是在哥倫比亞決定去投奔姐姐，還是在芝加哥工作拿著微薄的薪水精打細(xì)算，以及后來(lái)在紐約赫斯渥窮困潦倒自己在劇院工作時(shí)，她都有想盡一切辦法攢錢為自己添置一些漂亮的服飾，的確，就像赫斯渥剛失業(yè)決定消減一些外貌方面的開(kāi)銷時(shí)，嘉莉心里所想：一個(gè)人連美都不想追求了，連自己的著裝都不在乎了，那他還在乎什么呢。讀后感·其實(shí)，嘉莉是幸運(yùn)的如果沒(méi)有遇到杜埃洛，赫斯渥，艾姆斯，她的一生一定平淡無(wú)奇，一定是會(huì)哥倫比亞和父母靠著幾畝農(nóng)場(chǎng)度過(guò)一生。

赫斯渥，在芝加哥，多么的無(wú)憂無(wú)慮，絕對(duì)是上流社會(huì)的代表，卻因?yàn)橐粫r(shí)沖動(dòng)，犯下大錯(cuò)，他巧舌如簧，聰明機(jī)智，同時(shí)卻又老謀深算，騙一位正值青春期的花季少女同自己卷款潛逃，因?yàn)樽约涸敲频杲?jīng)理，在紐約求職時(shí)挑三揀四，終究失業(yè)，卻還一直自欺欺人，感覺(jué)自己一定會(huì)東山再起，干出一番事業(yè)，可是啊，他懶惰成性

最終連面也不修了，每次嘉莉讓他出去找工作，他放不下面子，最終把這當(dāng)做一種負(fù)擔(dān)，終于把僅有的幾百塊也花掉了，…其實(shí)，我們又何嘗不是呢，明日復(fù)明日，總喜歡自欺欺人，活在自己的世界，。最終乞討度日……

嘉莉妹妹讀后感 篇5

在假期里，《嘉莉妹妹》這本書是名著，在文章中有許多的道理和人生哲理。這本書使我受益匪淺。這本書的作者是美國(guó)著名的現(xiàn)實(shí)主義作家——西奧多·德萊塞。

這本書主要講了：嘉莉十八歲那年她就獨(dú)自一人從自己的家鄉(xiāng)離開(kāi)，去往芝加哥生活。她向往物質(zhì)生活，所以才離開(kāi)家鄉(xiāng)的。

她的姐姐敏妮住在芝加哥公寓的凡步侖街，嘉莉去姐姐家住。她姐姐家很簡(jiǎn)陋房間的墻是拼湊的紙糊，顏色很不協(xié)調(diào)。地板上鋪的是草席，只有起居室鋪了一塊薄薄的破地毯。嘉莉在姐姐家的附近找了自己能干的一份工作，她自己長(zhǎng)的很漂亮，推銷員杜洛埃很喜歡她，所以嘉莉變成了杜洛埃的情婦。但是后來(lái)嘉莉又由于更大的誘惑，跟隨自己住的酒店里的經(jīng)理赫斯渥私奔。

在一次很好的機(jī)會(huì)中，嘉莉竟然辦成了走紅的演員，在上流的社會(huì)中，完成了她的愿望。讓赫斯渥陷入貧困，并又殘忍的把他推上了絕路。

讀完這本書，我覺(jué)得嘉莉只是沉浸在自己追求的生活和想象之中，她從未替別人著想過(guò)。她的這種性格是由于貧困所造成的。自己一無(wú)所有，卻只是期求這幸福。

嘉莉妹妹讀后感 篇6

對(duì)于德萊塞的這本書一直有個(gè)誤會(huì)。以為這是本描述年輕女孩為了上位利用美色逐漸墮落的故事。然而，帶著這個(gè)先入為主的意識(shí)去看，卻發(fā)現(xiàn)并不是，不知不覺(jué)嘉莉妹妹就洗白了。想到東野的那本《惡意》，野野口修就是利用性格暗示來(lái)作為陷害的巧妙潤(rùn)色手段的。其中高明，不言而喻。誤會(huì)真是很多很容易啊。。

嘉莉從農(nóng)村來(lái)到小城。眼界放寬。被很多新鮮事物所吸引，她有過(guò)上優(yōu)渥生活的夢(mèng)想。然而在一次次求職失敗，周薪在四塊五中掙扎，姐姐在家做不了主自顧不暇的內(nèi)壓外患中選擇了依靠男人這條路。作者也真是神奇啊。硬生生把貧寒物質(zhì)女潛規(guī)則上位寫成了一部“小小的身體擁有大大的夢(mèng)想”不甘平庸生活的勵(lì)志劇。果然，女主就是女主啊。想什么顏色就是什么顏色。下面來(lái)說(shuō)說(shuō)嘉莉的三個(gè)男人。

好在第一個(gè)情人是托羅奧。這是一個(gè)玩世不恭，心地不壞，流連各種姿色的小年輕形象。他相當(dāng)于嘉莉的引導(dǎo)者。給她鋪了一段好路。嘉莉是不愛(ài)他的。但是他給她提供的物質(zhì)生活像是給她打開(kāi)了一扇門。她從丑小鴨變成了白天鵝。但是托羅奧永遠(yuǎn)不懂嘉莉在想什么。因?yàn)樗麄兺耆莾煞N人。一個(gè)幼稚物質(zhì)，一個(gè)敏感多愁。道不同不相為謀。托羅奧得到了她的身體卻永遠(yuǎn)不可能得到她的心。

第二個(gè)情人是霍森沃。這是個(gè)有婦之夫。有孩子，有家庭。嘉莉不知不覺(jué)成了小三。霍森沃在他的年紀(jì)，已經(jīng)擁有了自己的社會(huì)地位，成熟的心智，以及優(yōu)雅的談吐和紳士風(fēng)度。可能這也是現(xiàn)今老男人吸引小女孩的魅力之處。嘉莉如故傾心。以為陷入了愛(ài)情。霍森沃為她拋妻棄子，一步走錯(cuò)成了逃犯。劇情也是狗血。

嘉莉生命中的第三個(gè)人，也可能是最后一個(gè)人，埃蒙斯。他在她歷經(jīng)兩類人后，正好出現(xiàn)。他帶著她成長(zhǎng)，給她一些不同別人的視覺(jué)角度。擁有獨(dú)立人格，在物質(zhì)社會(huì)中敢于蔑視金錢地位，這對(duì)于嘉莉來(lái)說(shuō)是個(gè)很大的沖擊。他了解她，推薦合適的書籍給她看。都是在帶領(lǐng)她發(fā)現(xiàn)自己。嘉莉的單純懵懂，她的成長(zhǎng)過(guò)程都是在別人和環(huán)境的不斷灌輸下長(zhǎng)大的。埃蒙斯卻提供了一條路，她自己可以自由行走的路。

嘉莉擁有傲人美色。又恰巧處于一個(gè)物質(zhì)至上的時(shí)代。如果是個(gè)美人，又很蠢，那么就是個(gè)悲哀。美貌會(huì)加重她的負(fù)擔(dān)。不過(guò)嘉莉是個(gè)很聰明的女孩。可能她的“物質(zhì)”不被人討厭，就是因?yàn)樗砩系倪@些光芒。她更擁有美貌以外的內(nèi)在魅力。

被動(dòng)，不會(huì)主動(dòng)出擊解決問(wèn)題，導(dǎo)致她成功的路程很坎坷。不過(guò)好在最后結(jié)局還不錯(cuò)。善良天真，霍森沃等人都先后為之傾倒，在那個(gè)錙銖必較的社會(huì)里純真是無(wú)價(jià)之寶啊。在成為小三的時(shí)候，她也是毫不知情的。她堅(jiān)持先結(jié)婚才能后同居。并且在知道霍森沃有家室后，毅然忍痛寫了絕交信。和霍森沃結(jié)婚后也耐心操持家務(wù)。和他同甘共苦。并且學(xué)習(xí)獨(dú)立生活。敢于追求夢(mèng)想。得知霍森沃瞞著自己偷盜連帶著自己跑到陌生城市這么多年，她的第一反應(yīng)也是同情和理解他。并沒(méi)有怨恨。在和伙伴們一起聚餐時(shí)，也不會(huì)因?yàn)槌雒嗖A者眾多沾沾自喜，回家時(shí)間都嚴(yán)格遵守著。

嘉莉身上，有種不可隨意受環(huán)境改變的原則。她自己雖然不知道，內(nèi)心和身體都會(huì)做出選擇。她的成功好像也是水到渠成。成了歌劇演員。一路開(kāi)掛。。。

只是覺(jué)得霍森沃好慘啊。最終自殺的方式結(jié)束生命。德萊塞這本書其實(shí)涉及了很多兩性關(guān)系。霍森沃的悲劇也說(shuō)明了這點(diǎn)。在后來(lái)的同居生活中，嘉莉差點(diǎn)成了家庭主婦，霍森沃就對(duì)她心思減淡，不如從前。但是又不想嘉莉工作，害怕她發(fā)光發(fā)亮離開(kāi)自己。霍森沃是一直知道嘉莉的能力的。這是一種自尊心的維護(hù)和安全感的喪失。嘉莉也給過(guò)他很多次機(jī)會(huì)，但是他從來(lái)沒(méi)有把握，總是在對(duì)過(guò)去輝煌生活的迷戀中無(wú)法自拔，和不斷的承諾中讓嘉莉?qū)ψ约寒a(chǎn)生了失望。從小城到紐約大都市的轉(zhuǎn)變，種種成就都變成了從頭再來(lái)。成功也是有條件的。深深感覺(jué)到一種老男人失勢(shì)后的悲哀。。。

不過(guò)他們最終是走不到一起的。霍森沃經(jīng)歷了聲色犬馬，在物質(zhì)社會(huì)里游蕩已久，中毒太深。而嘉莉從農(nóng)村過(guò)來(lái)，還帶著人類本真的單純氣息。霍森沃喜歡嘉莉，可能也是喜歡那種和自身環(huán)境的不一樣吧。因?yàn)樗约阂呀?jīng)沒(méi)有了。企圖擁有一個(gè)有它的人也好。而嘉莉還是可救的。她的人物塑造過(guò)程都是一步步踏實(shí)地走來(lái)。他們注定走不到一起。她心靈深處的那個(gè)人不可能是霍森沃。

也告訴我們一個(gè)道理。遇到幾個(gè)不對(duì)的人都不要緊。把自己變得優(yōu)秀。獨(dú)立。才能獲得機(jī)會(huì)，遇到對(duì)的那個(gè)人啊。

嘉莉妹妹讀后感 篇7

嘉莉妹妹讀后感英語(yǔ)作文網(wǎng)收集整理英語(yǔ)作文網(wǎng)

VividHeroine

——OnSisterCarrie

Carriewassuchanordinaryruralgirlatthebeginningofthestory.Sittingontheseatofabus,shecouldn’thelpfeelingexcitingatthesightofthemetropolis’spectacle.Shewasimpresseddeeplybylargecrowdontheavenue,thespacioussquareortallbuildings.

Farmoredifferentfromotherheroines,CarriewasnotaplainpureangellikeSnow-white,norwasshebraveenoughtobeaheroineofrevolutionistorevenareformer,norwasshesocleverastobeasuccessfulcareerwomanwhostartfromscratch.

Whatattractedhermost,afterherenteringthishugemetropoliswastheincrediblefineries,fashionshoes,smarthandbagsdisplayingintheshopwindows,thejewellerysshiningbrightlybehindtheglass.Shedreamedthatoneday,shecouldwearallofthese,jogginggracefullyintothemostluxurioushotelwithfocusedsightsofadmiration.

Andthiswasnotmerelyadream.Becauseshehadlargeeyeswhichcanearnothers’sympathy,evenlove.Shehadwonderfulfigurewhichcanwinothers’hearts.However,anythingshegot,anywhereshereached,hadnotcomefromherambition.Thingshappened,andthensheaccepted.That’swhatshehadjustdone—justtoacceptwillinglyfromthebottomofherheart.Shewasnotatallanevilwomanwhowouldgiveanythingforthefortuneorfame.However,shewouldgiveuosomethingforabetterlifewhenherinstinctdefeatedherintellect.

ThatwasCarrie,agirlhadherowndesire,ahumanbeingjustlikemanyothersintherealisticworld.

There’sonesentencewritteninchapterVIII:”Whenthisjangleoffree-willinstinctshallhavebeenadjusted,whenperfectunderstandinghasgiventheformerthepowertoreplacethelatterentirely,manwillnolongervary.”However,howmanypeoplecangothatfurther.

AndIwanttoquoteanothersentencetowindupmyessay:

“InCarrie—asinhowmanyofourwordingsdotheynot?—instinctandreason,desireandunderstanding,wereatwarforthemastery.”

嘉莉妹妹讀后感 篇8

的簡(jiǎn)介真的讓人想問(wèn)到底哪個(gè)腦子有問(wèn)題的人寫的，評(píng)論更是好笑。

男讀者真的挺好笑的。痛斥Carrie愛(ài)慕虛榮，完全忽視最開(kāi)始Hurstwood的欺騙。女讀者也挺好笑的，迫不及待的代入Hurstwood的角度罵Carrie拋夫棄子。但實(shí)際上的Carrie呢？與Drouet“戀愛(ài)”的Carrie抱著結(jié)婚的目的、是Drouet遲遲拖著不肯結(jié)婚。

與Hurstwood“戀愛(ài)”的Carrie在知道對(duì)方已有家室的時(shí)候，立刻斷絕一切聯(lián)系。兩個(gè)人是怎樣私奔的呢？是Hurstwood偷拿了保險(xiǎn)箱里的公款，騙Carrie說(shuō)Drouet受傷了要見(jiàn)她，將Carrie騙到了去紐約的火車上。

在Hurstwood失業(yè)的情況下，Carrie成功的找到了工作。截止到這個(gè)時(shí)候，我們都知道Carrie是愛(ài)慕虛榮的，不然她不會(huì)被Drouet和Hurstwood吸引，但她為愛(ài)慕虛榮墮落了嗎？好像沒(méi)有。很多人詬病Carrie有錢之后拋下Hurstwood，我真的驚了。原來(lái)女性直率的選擇滿足自己的欲望而非被情感捆綁的時(shí)候，要遭受千夫所指。但性別對(duì)換，大家都覺(jué)得“理所應(yīng)當(dāng)”，“男人嘛，都是這樣”。

Carrie在我眼里，是一個(gè)勇敢美麗聰明努力的人，雖然她性格上有些軟弱，但不服氣的勁頭總能讓她走下去，哪怕這股“不服氣”是來(lái)自于內(nèi)心的物質(zhì)欲望和虛榮。有人說(shuō)貧賤夫妻百事哀，這種哀只是貧窮的哀，并不是夫妻的哀。甚至最后Carrie才知道Hurstwood是偷了錢出來(lái)的，而她與Hurstwood并沒(méi)有結(jié)婚。

Carrie可以去追求物質(zhì)欲望和虛榮，但也對(duì)Ames愛(ài)慕，Ames是英俊年輕的知識(shí)分子，對(duì)金錢不屑一顧，他推薦Carrie去看巴爾扎克，Carrie也的確感受到“以往的閱讀不值一提”。罵Carrie好高騖遠(yuǎn)、出賣肉體、情感麻木我可真是笑了。

Carrie從未好高騖遠(yuǎn)，她每周工資從十二塊漲到十八塊已經(jīng)倍感驚喜，同事告訴她她的工資應(yīng)該是漲到四十塊的時(shí)候、她依舊會(huì)為漲到三十五塊而欣喜。

Carrie出賣肉體了嗎？Drouet與她交往看重她的美麗、而Carrie是真心的想要結(jié)婚（即使因?yàn)橛行┨摌s）、Hurstwood與她交往看重她的“天真和年輕”，但Carrie知道Hurstwood有家庭的時(shí)候立刻斷聯(lián)，在代理人誘惑她錢財(cái)與身體的時(shí)候，作文她也從未妥協(xié)過(guò)。如果說(shuō)Carrie情感麻木，那她在看冬天的時(shí)候好歹還會(huì)擔(dān)憂一下，Lora才是真的麻木。

Carrie可以清楚的知道自己想要什么，也可以清楚的把握自己想要什么。從最開(kāi)始，“希望靠美貌令自己衣食無(wú)憂”到“逐漸意識(shí)到要靠自己”，靠著美貌的一點(diǎn)點(diǎn)幸運(yùn)、靠自己過(guò)上優(yōu)渥的生活我覺(jué)得沒(méi)什么不好。

作者對(duì)每個(gè)人的欲望描寫都非常深刻，欲望可以讓你更好，也可以將你燃燒殆盡。